FISSURE (2025)
Directed by Jambakur Baqradze
Camera : RED Komodo
Lens : Samyang 50mm T1.4
Camera : Sony A7S2
Lens : Helios Ironglass M-44
Directed by Elsa Riviere-Poupon
ENCHANTE GRAND PERE (2021)
LE PHARE D'ARUNDEL (2023)
Directed by Julie Fackler
Camera : RED Dragon
Lens : Zeiss CP2
DEROUTEES (2023)
Directed by Thomas Laurent
Camera : Canon R5
Lens : IRIX
dEMAIN MANQUER D'EAU (2024)
Directed by Nell Bucher
Camera : RED Komodo
Lens : Angenieux 12-120 T2.9
MAURICE (2024) (colorgrading)
Directed by Thomas Sagot and Noé Hermelin
Camera : RED Komodo
Lens : Cooke S4 and Angénieux 48-130mm
FILM L'ENFANT (2024)
Directed by Louise Deschamps
Camera : RED Komodo
Lens : Problens
JASAM (2025) (editing)
Directed by Rémi Giordan
Camera : RED Komodo
Lens : Sony CINE
LA BARRIERE DE CORAIL (IN PRE-PROD)
Directed by Julien Tesgui
Camera : Alexa Mini
Lens : Cooke S4
REFERENCE PICTURE
n'EST PAS HEROS QUI VEUT (2025)
Directed by Marie Donnio
Camera : RED Komodo
Lens : Cooke S4
PORTFOLIO
n'EST PAS HEROS QUI VEUT (2025)
Directed by Marie Donnio
Camera : RED Komodo
Lens : Cooke S4
REFERENCE PICTURE
LA BARRIERE DE CORAIL
Directed by Julien Tesgui
Camera : Alexa Mini
Lens : Cooke S4
MAURICE (2024) (colorgrading)
Directed by Thomas Sagot and Noé Hermelin
Camera : RED Komodo
Lens : Cooke S4 and Angénieux 48-130mm
JASAM (2025) (editing)
Directed by Rémi Giordan
Camera : RED Komodo
Lens : Sony CINE
dEMAIN MANQUER D'EAU (2024)
Directed by Nell Bucher
Camera : RED Komodo
Lens : Angenieux 12-120 T2.9
FILM L'ENFANT (2024)
Directed by Louise Deschamps
Camera : RED Komodo
Lens : Problens
ENCHANTE GRAND PERE (2021)
Directed by Elsa Riviere-Poupon
Camera : Sony A7S2
Lens : Helios Ironglass M-44
DEROUTEES (2023)
Directed by Thomas Laurent
Camera : Canon R5
Lens : IRIX
LE PHARE D'ARUNDEL (2023)
Directed by Julie Fackler
Camera : RED Dragon
Lens : Zeiss CP2
PORTFOLIO
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